Wednesday Listens E27

This week only features two tracks. But, two amazing tracks.

I like to stay ahead of the music curb, so call me a music snob if you will. But let the record show I am showing you this band before they are big. Kaleo are going to be huge, and I am so looking to see their success. Indie folk band from Iceland. Some songs give off a Lumineers feel, others remind me of Bon Iver. They are without a doubt, musically talented. VOCALS are very pleasing.

One of my favourite memories is seeing these cuties at the Opera House two years ago! The small venue made their sound even bigger and more intimate. The crowd that was also there were truly there for the music, so it was a nice scene. KONGOS are a group of brothers, who have lived in South Africa for most of their life. However, were born in London, and are now based in Phoenix, Arizona! They have a good, alt sound, and aren’t afraid to bring the accordion into play. One of my fave songs off Lunatic is “I Want to Know.” Because, who doesn’t want to know?

Wednesday Listens E26

I’ve been trying to figure out the direction I wanted E26 to take. I’ve decided, like always, indie alternative was the way to go, with a focus on Canadian musicians (#CanCon represent).

I’ve heard “Oh Cecilia” on the radio a few times, and kept meaning to write the band down as I could never find it when I searched later on. Man oh man is this song catchy and has a great sound to it. Like Kathy Byers, this song is a good tune to dance to. It has a smooth sound to it, and has an intoxicating feel too.

What adds to the fun? Kathy Byers is a dancing crossing guard in Toronto, and Born Ruffians are from MIDLAND. That’s right, Midland, Ontario. Some good ‘ol Canadian boys, no wonder I love their sound.

The Zolas are another favourite Canadian band, and I always find comfort in their music. This is a nice track that brings homage to Toronto. The Zolas always have strong lyrics with multiple meanings.

Down for getting dark cause the dark gets me//And all the other lovers make it so heavy//Takes a little emptiness to feel complete//When crowds come ever-thicker and liquor it comes free

You may have already heard “Swooner” on the radio, I know Indie88 has been playing it. It’s the title track off the album, and it’s also pretty swooooonish. Don’t you just hate it when someone swoons you? Swoon, what a good word.

Ahhh I have a mild crush on Half Moon Run. Their guitar strumming and plucking is seriously so in line with their tight drumming. Like The Zolas, Half Moon Run also has solid lyrics with deep meaning. I just can’t help but be in love with their second album.

Thank God for good music, eh? It really does keep me going, which is why I share it so often.

Boy Bands: Good for Masculinity, Bad for Femininity

The culture industry is one of the central areas in which genders are constructed, because of the influence popular culture has on all aspects of society (television, music, fashion and books). Within the music industry, boy bands have become a popular concept, since they can be extremely successful with girls and young women to earn quick money. Boy bands are typically appreciated for their vocal abilities and dancing capabilities which awe audience members. Nevertheless, this paper presents that the concept of “the boy band” is a site of gender reaffirmation for femininity, while it is a place to develop new forms of masculinity. This will be demonstrated through the analysis of three boy bands, over three decades: The Backstreet Boys (1990s), O-Town (2000s) and One Direction (2010s). To illustrate the replication of femininity and new wave of masculinity, three factors will be considered. First, this paper will survey lyrics from each of the three bands and how females are overtly sexualized in each of their songs. Next, fans (who are mostly girls and young women) are often characterized as hormonal in the media, which is used to devalue female sexuality. Lastly, all three of these bands perform in sexual manners reaffirming their heterosexuality to audience members and will often perform to females instead of with. Therefore, as a consequence of these boy bands’ lyrics, fan base representation and spectacle of concerts, patriarchal scripts of femininity are reiterated while hegemonic masculinity is able to be explored. Continue reading

Wednesday Listens E19

¯\_(ツ)_/¯

This is what it is.

Andrew Belle. Your lyrics are magically, and let me space out. Thank you kind sir. Your voice is so soothing.

May come off as a pretentious band, but I like their sounds. Their new single “Love Me” is also a good song to check out. It’s 1975 meeting the 80s.

Bloc Party will always have a place in my heart and playlist. They are without a doubt, a great band. Sad to see changes to who’s in the band currently, but I’m sure they’ll come out with new great stuff. Intimacy is one of my favourite albums. Each song flows into the next, and Kele Okereke has a great voice.

Wednesday Episode E18

Music is going in a new direction this week (but of course). More of an updated scene selection, because why not?

I never really appreciated Brendon Urie until recently revisiting Panic! At the Disco music. One: Great vocal range. Two: Look at his facial expression. Three: Look at Brendon. Song is super catchy.

Whooo can deny their love for Fall Out Boy?

I really don’t understand why I find these guys catchy.

Wednesday Listens E12

Going for a slower pace this week given that I’ve had one PSL drink this September, and just want to wear sweaters on the daily. These songs are great to replay while processing and thinking things over.

Nathaniel Rateliff is just so vocally talented. This song made me emotional first time I listened to it, because it’s just so powerful; he has such raw emotion in his voice. It’s a softer song that just, just listen to it to understand it. Really, I’m so moved I can’t write.

I always thought this should be a single from The Lumineers but it never reached that level. I haven’t heard much from them in the last year or two, they seemed to have peak in 2013. That was in fact the year I had the pleasure of seeing them at Osheaga. “Dead Sea” what a great, sad expression.

This is another hauntingly beautiful song. “Medicine” by Daughter is just, oh so lyrically magical. And my god her voice. I love how the piano and background noise is not overpowering. Her voice stands out, and the piano acts as a great accent. Ya know what I mean?

x victoria.

Wednesday Listens E06

Get to it.

I had the pleasure of seeing X Ambassadors open up for Imagine Dragons in March 2014. Once they opened up, I knew I would be seeing more of them – which we kind of did last summer (not just this summer) when OITNB used “Jungle” Their use of synths and vocals make them a strong electronic group. Instead of presenting you with that one single (Renegades) you’ve seen Jeep use for the whole summer, I thought I would let you know they have some other great music too that you should listen to.

While technically not a new song, I wish RAC had more exposure (be sure to follow his Facebook for weekly caturday photos). Man. The riff in this song is sick and sticks with me. I’m glad RAC used Kele for the main vocals, his voice suits the foundation. Not related, I love the male actor in this video, he’s totally cute, has the right facial expressions, and plays the part well. Definitely did not listen to this on repeat walking around campus. . .

*video not recommended for those with weak stomachs as she’s a Hannibal Lecter type character*

Another solid guitar riff from Two Door Cinema Club paired with a cute music video. And the lyrics are on point. Was he thinking of me. It’s a pop-y alternative sound, but gets your toes a-tapping.

Wednesday Listens E05

Fifth “episode” is here. I have some nice folky tunes for your glorious day ahead. Turns out they all have to do with fire as well. Makes sense since today is suppose to be one hell of a day. (ha i’m so lame.)

What a cutie Vance Joy is. Vance Joy has a way with words that cause you to be caught up with the song, which is most definitely a good thing. Any artist who is able to have this pull over you is good in my books.

Rolling Stones’ song “Fire” is too short for my liking. The guitar riff keeps this song solid and makes me want more. I also have to loop this twice five times.

Finally this is one of my favourite songs by Kasabian. One: Vocals vocals vocals. If you haven’t figured it out, I love some good vocals. Next, mix of tempos are important. This song works because it has found a balance between that slow tempo and then is able to bring the tempo up without being off putting. Finally, there’s something about the lyrics with this song that hooks you in. Check out other Kasabian songs. Off of this album – West Ryder Pauper Lunatic Asylum – in particular, I really like “Where Did All the Love Go?”

Until next week.

Wednesday Listens E04

Fourth installment of Wednesday Listens underway. Going to present you with some newer sounds this week that you should DEFINITELY give a listen to.

Our lovely lead singer of Killers is going solo (again). I debated whether posting “Can’t Deny my Love” but settled on “Still Want You.” Brandon Flowers presents us with an albeit Killers sounding song that uses a great mixture of vocals, beats, and synth sounds. The vocals remind me of “Read My Mind” but the female back-up singers gives it a new 60s twist. Keep in mind, this isn’t the first time Flowers has gone solo. In 2010 he came out with his album Flamingo. It just seems – at least to me – that his solo career is more pronounced five years later.

Two underexposed artists, STS & RJD2, collaborate together to create beautiful sounds. Throughout the album RJD2 lays down a nice electronic base to STS’ rapping skills. Decided to share “Doin’ It Right” because I simply love the beat and whistling. Prepare to head bop to this one.

Lastly I decided on some Tame Impala even though this song has been around for a few months now. “Let It Happen” is a great single that doesn’t disappoint. Tame Impala uses their familiar sounds of psychedelic beats, synths and scary John Lennon vocals. Sometimes you just gotta let it happen.

Wednesday Listens E03

This week has bit of a theme. Circa late 2000s in fact + some other themes you can use your head to figure out.

Oh The Tragically Hip. (that band everyone’s prof always talked about — or just mine?). Enjoy their 2006 single “In View” while you reminisce about that old crush, current crush, or just a person you’ve been meaning to call.

Bloc Party will forever have a special place in my heart. Intimacy is by my favourite album from them, mainly because the album flows with each song. “Flux” has a great beat and features my favourite word. Just say it with me “flux” sigh, doesn’t that feel good? It’s the x at the end (I swear I’m not crazy.)

Kings of Leon have those rough vocals you lust over. Just going to leave this song here and say no more.